Thursday, 29 September 2011

Music video theorys

Claude Levi-Strauss
-         Believed constant creation conflict/opposition propels narrative.
Roland Barthes
Enigma codes
-         Refers to an element that is not explained and, therefore, exists as an enigma raising questions that demand an answer.
-         Most texts hold back details in order to increase the effect of the final reveal of the truths
Action codes
-         Refers to the other major structuring principle that builds interest or suspense on part of and audience.
-         The action code applies to anything that needs smoothing to carry on.

Tzvetan Tordorov
-         Believes narratives begin with equilibrium then move to disequilibrium until equilibrium is restored in the end.

Steve Archer’s theory.
-         Needs to be a strong and coherent relationship between narrative and performance in music promos.
-         Music videos will cut between a narrative and a performance.
-         Not only playing instruments is classed as performance, a dance routine could be too

John Stewarts theory
-         The music video’s has the aesthetics of a TV commercial with lots of close ups focusing on the artist’s face.
-         Visual references come from a range of sources.
-         The video allows more access to the performance than a stage performance can.
-         Mise-en-scene in particular can be used to emphasise a particular lifestyle.

Sigmund Freuds theory
-         voyeurism. Refers to the notion that erotic pleasure may be gained by looking at a sexual object (preferably when the object is unaware of you doing so.)

Laura Mulvey’s theory
-         Filmmakers are predominantly male so presence of woman in video’s is often solely for purposes of display.
-         Women are objectified by the male film makers and not used for narrative reasons.

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